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A Merging of Art
Practices for the Stage

Can We Know the Sound of Forgiveness is a groundbreaking multidisciplinary performance that merges visual art, music, dance, movement, and spoken word to create an urgent new language for collective expression.

Commissioned for the Shepherd School of Music at Rice, in collaboration with Carnegie Hall

Inspired by James Drake’s epic drawing of the same title, Can We Know the Sound of Forgiveness is an immersive performance that unfolds in five movements, with a score by renowned composer Gabriela Ortiz, text and lyrics by award-winning author Benjamin Alire Sáenz, and 24 singers from the Grammy-winning chamber choir, The Crossing, conducted by Donald Nally. The multidisciplinary collaboration features stage movement by artist Shaun Leonardo, accompanied by local US military veteran performers from each city in which the project is performed; additional music by master flutist Alejandro Escuer; and a dance ensemble from Houston Ballet Academy. The collaborative performance tells its story from the perspective of “the Earth, the Land, the Soil, the Sand,” which “do not demand our daughters and our sons as sacrifices.” Creators of Can We Know the Sound of Forgiveness seek to encourage hope in a dark and divisive time by conceiving a transformational work that is complex, moving and immersed in a throughline that carries us from violence and conflict to healing and forgiveness.

Team

James Drake

Artist

Gabriela Ortiz

Composer

Benjamin Alire Sáenz

Writer

Steve Jiménez

Producer/Director

Shaun Leonardo

Performance Artist

Alejandro Escuer

Flutist

Leila Hamidi

Curator

Terrie Sultan

Consulting Producer

Matthew Loden

Executive Producer

Guest Collaborators

Veteran Performers

In each city where Can We Know the Sound of Forgiveness is performed, local veterans will be included in the movement component under the direction of performance artist Shaun Leonardo. Exploring themes of violence, war and redemption, Leonardo directs the improvisational movement through a series of prompts that harness the personal wartime experiences and memories of the veterans.

The Crossing Chamber Choir

The Grammy-winning chamber choir, The Crossing, led by conductor Donald Nally, is the most recent addition to the collaboration and will be featured in the world premiere performance on January 20, 2024 in Houston. An intensive workshop with the full creative team and The Crossing will take place in Philadelphia in July 2023.

Dance & Additional Collaborators

Under the direction of guest choreographer Harrison Guy, ten dancers from Houston Ballet Academy will participate in the world premiere performance of Can We Know the Sound of Forgiveness. Additional collaborators include: cinematographer Adam Holender; editor Luke Bern Carr; the Houston Children’s Chorus; and set designer Ryan McGettigan.

Shaun Leonardo and local Santa Fe veterans in work in progress performance at SITE Santa Fe
ARTIST SHAUN LEONARDO WITH VETERANS IN WORK IN PROGRESS PERFORMANCE WITH PROJECTED ARTWORK BY JAMES DRAKE, SITE SANTA FE, JULY 2022

VISUAL DESIGN THAT DRAWS UPON FIVE DECADES OF JAMES DRAKE’S WORK

James Drake’s emotionally charged images, which span a career of over 50 years, provide a visual foundation for this collaborative performance for the stage. The selected works explore themes of violence, conflict, and the possibility of forgiveness.

ORIGINAL SCORE BY RENOWNED COMPOSER GABRIELA ORTIZ, WITH SOLO PERFORMANCE BY MASTER FLUTIST ALEJANDRO ESCUER

Celebrated composer Gabriela Ortiz, whose recent commissions include works for the Los Angeles Philharmonic and New York Philharmonic, has been a core collaborator from the outset of the project. Her stirring score—inspired by the gravity of Drake's images—incorporates text by Sáenz and drives Leonardo’s improvisational movement with veterans. Her score includes a flute solo performed by master flutist Alejandro Escuer.

PERFORMANCE BY MULTIdisciplinary ARTIST SHAUN LEONARDO in collaboration WITH LOCAL VETERANS

Artist Shaun Leonardo leads the movement component of the performance through a powerful non-verbal storytelling practice that enables veterans to translate personal narratives of war and conflict into performative gestures.

A groundbreaking
multidisciplinary performance
That merges
Visual art
Dance
Movement
Music
SPoken Word
To Create an Urgent
New Language
For Collective Expression.